Caroline McCrystle Marcantoni
cv
cmmarcan—gmail.com
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Performance, Sound, Writing, Philosophy
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Education
2009 Bachelors of Humanities in Philosophy. College of Charleston, South Carolina.
European Graduate School. Saas Fee, Switzerland
Masters work in Philosophy, Art, and Critical Thought 2015-2019
Performance and Sound (selected)
2022 Mid-Atlantic Wilderness, Improvised movement and sound performance. Baltimore, Maryland.
2020 Falling Butterfly, Written text and performance for film with Suzie Doogan. Baltimore, Maryland.
2019-2023 Solphin, Vocals, bass, words, and percussion for band with Jen Kirby. Baltimore, Maryland.
2016 Perfect Lives, Vocals and performance for Robert Ashley’s made for T.V. opera. Performed in Oslo Norway at Ultima fest (2015), Issue Project Room in NY, NY (2014), and on tour in Europe in 2016.
2016 Strange Times People Band, self titled studio album, Vocals, percussion, words. Friends Records.
2015 ​High Zero International Experimental Improvised​ Music Festival, dance/voice​/percussion,​The ​Theatre Project. Baltimore, Maryland.
2105 Oussia, Choreography and performance. Copy Cat Theatre. Baltimore, Maryland.
2015 Oussia, Solo composition, musique concrète. Simone Oscilla Records.
2015 Topoi, solo work and performance; voice, synthesizer, percussion. The Red Room, Baltimore, Maryland.
2015 Practice People, Strange Times People Band, Vocals, percussion, words. Scratch cassette release on Marginal Records.
2014 Jouissance, solo work; voice and percussion. Simone Oscilla Records.
2014 ‘Woman is the Devil’, Choreography and performance with Ciara Clements. Fields Festival, Baltimore Maryland.
2011-2019 Strange Times People Band, Vocals, percussion, and words for band with Dan Been, Jen Kirby, and James Johnston. Baltimore Maryland.
2010 Magik, The diPrima Project. Vocals, percussion, words for band with Kim Larson and Lyles. Simone Oscilla Records.
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Film (selected)
2019 27, Performance for film with Amy Halpern.
2018 Alan 3000, Performance for film with Margeret Rorison.
2013 The Novice Clairalient, Performance for film. Direction, Tom Boram.
2013 The 21st Century Music Consumer, Performance for film. Direction, Tom Boram.
Curations (selected)
2014 The Diamond Sorties, Curatorial project to engage work from different modes of creative inquiry for experimentation and research in pedagogical methods. With Bonnie Jones.
2010-2012 Lumberhaus, Performance studio for research, exhibition, and critique in Baltimore city.
Lectures/Pedagogy (selected)
2017 Re:volt, Reading texts such as James Baldwin's Letter from a Region in My Mind, Ta Nehisi Coates’ Case for Reparations, and Hannah Arendt's We Refugees.
2016 (re)Reading the Feminine in Psychoanalysis, Reading texts such as, Shoshanna Felman's What Does a Woman Want? Reading and Sexual Difference, Freud's Lecture XXXIII Femininity, and Heléne Cixous’ Laugh of the Medusa.
2012 ​Consciousness, Embodiment, and Dancing. Wham City Lecture Series, Baltimore MD
2010 ​Kierkegaard’s Metaphysics. Wham City Lecture Series, Baltimore MD